To the casual observer it looks like 2017 is another golden
age of wargaming publishing. Not since the Donald Featherstone era have so many
books on our hobby hit the shelves. There are a number of wargaming publishers,
all centred on the UK. There are a continual deluge of wargaming books, including
many self-published ones. However, the numbers hide a problem; the reality is
many of the books are dire.
With the dearth of experienced wargaming editors, the
content, history, game system etc. in the books is of variable quality.
I bought a second hand book on gaming ancient naval warfare and found the rules
were flawed. If you ignore the errors on the picture captions, the book is basic
introduction to ancient naval warfare, with some nice pictures, the rules seem
to lack play testing. I will give an example. Triremes attacking triremes from
the front kill each other on a roll of 2-6 on a six sided dice. This means if
you outnumber the enemy you should simply charge the enemy from the front and
statistically you will win. E.g. when they lose ¼ of their ships, which is very
quick with triremes in these rules.
Many of the books are far too wide ranging, by authors who
lack awareness of developments in the wider wargaming world. They contain the
author’s ‘wisdom’ that is either just general knowledge or just wrong. This
situation is exasperated by the publishers being forced to keep editorial input
to absolute minimum in order to make the books cost effective.
Of course, there are exceptions. Bob Cordery’s The Portable Wargame is an example of
book well written and focussed on a specific theme, games played on small table
tops. However, to get to write a book of quality, is the result of writing
hundreds of articles over years to develop the craft of word smithing wargaming
literature. Most of the new writers arriving on the wargaming publishing block
have omitted this literary apprenticeship and it shows.
What are the potential longer term trends from this? The
wargaming publishers are jockeying for brand position, but they are damaging
their own name with each publication. For every book such as Frostgrave which succeeds, there are
nine more that are not. There are a lot of disappointed authors out there who
expected to make substantial income from their pride and joy in print, but are
dismayed that the free market is more discerning than they realised.